The name Paul Newman conjures images of steely-eyed intensity, charismatic charm, and unparalleled acting prowess. But beyond his iconic screen presence lies a lesser-known, yet equally compelling narrative: his enduring relationship with Rolex watches, a relationship far richer and more nuanced than the legendary Daytona that bears his name. While that timepiece reigns supreme in the pantheon of collectible watches, a fascinating subplot involves his on-screen wrist choices, particularly in the 1986 film *The Color of Money*, a story expertly illuminated by senior consultant Aurel Bacs. This article delves into the world of Paul Newman's Rolex collection, focusing specifically on the watches he wore in *The Color of Money* and the broader impact of his horological preferences, dispelling some myths and revealing intriguing details often overlooked.
Is this the New Paul Newman Rolex?
The term "Paul Newman Rolex" is almost exclusively associated with the Daytona chronograph, a watch that achieved legendary status partly due to its association with the actor. Its unique dial, with its unusual sub-register layout often referred to as an "exotic dial," became highly sought after, driving prices to astronomical heights. However, *The Color of Money* offers a compelling counterpoint. While the Daytona's presence in Newman's life is undeniable, his choice of wristwear in the film highlights a different facet of his taste – a preference for the understated elegance of the Rolex Datejust. This begs the question: does *The Color of Money* introduce a "new" Paul Newman Rolex, not in terms of a specific model, but in terms of understanding the breadth of his horological appreciation?
Aurel Bacs: This is What Happens When You Love Billiards, Rolex, and Paul Newman
Aurel Bacs, a highly respected authority in the world of vintage watches, offers invaluable insight into Newman's watch choices. His expertise allows us to move beyond simple identification of the watches worn and delve into the context of their selection. Bacs, likely drawing from his vast knowledge of the actor's collection and the time period, could shed light on the deliberate or perhaps even unconscious reasons behind Newman's choice of a Datejust in *The Color of Money*. Did he choose the Datejust for its subtle elegance, fitting the character of Fast Eddie Felson, a seasoned hustler who prioritizes practicality and understated confidence? Or was it a simple matter of personal preference, reflecting a side of Newman less flamboyant than the image often projected? Bacs's perspective is crucial in unraveling these questions. The film itself, a testament to Newman's enduring charisma and the compelling nature of competitive billiards, provides a backdrop for understanding his watch choices within the narrative. The Datejust, with its classic design and inherent versatility, becomes a subtle yet powerful symbol mirroring the character's journey.
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